SPRING 2022 / UNTOLD / CHICAGO, IL

World-premieres from:

Keerati Jinakunwiphat
Robyn Mineko Williams
Stephanie Martinez

Influenced by Elizabeth Lesser’s Cassandra Speaks: When Women Are the Storytellers, the Human Story Changes, PARA.MAR founder and director Stephanie Martinez explores and interrogates the same question of “how the stories we tell, the stories we hear and see, become the culture we know”.

When Lesser proposes “what happens when women are the storytellers too—when we speak from our authentic voices, when we flex our values, when we become protagonists in the tales we tell about what it means to be human” Martinez curates an evening to interrogate what else is imposed on each of us based on “other” factors, like age, race, sexual preference, status, and ability. 

Simply, how does the experience of being “other” alter and define who we are – and how we find and assert power, our voice, within an imposed structure designed to keep you quiet?

Rehearsal Photos by Andrew Weeks Photography / Performance Photos by Todd Rosenberg

Photo of Stephanie Martinez by Todd Rosenberg / Photo of Robyn Mineko Williams by Chloe Hamilton / Photo of Keerati Jinakunwiphat by Jayme Thornton

About the Choreographers

 

Keerati Jinakunwiphat

Chicago born artist Keerati Jinakunwiphat is a dancer and choreographer based out of NYC. After receiving her BFA from the Conservatory of Dance at SUNY Purchase with additional studies at the Western Australian Academy of Performing Arts, San Francisco Conservatory of Dance, and Springboard Danse Montreal - Jinakunwiphat joined A.I.M by Kyle Abraham in 2016. She has additionally assisted Kyle Abraham in new commissioned work for New York City Ballet and Paul Taylor Dance Company. As a freelance choreographer, Keerati has presented her own choreographic works at the American Dance Guild Festival, Triskelion Arts, Dixon Place, Battery Dance Festival, Dance Gallery Festival, the Joyce Theater, New Victory Dance and New York City Ballet. She has been commissioned to set and create works on the Evanston Dance Ensemble, the Martha Graham School, SUNY Purchase College Conservatory of Dance, A.I.M by Kyle Abraham, Houston Contemporary Dance Company, New England Ballet Theatre, Ririe-Woodbury Dance Company, and the New York Choreographic Institute. Keerati has graced the cover of Dance Magazine featured as ‘25 to Watch’ for 2021.

Robyn Mineko Williams

Robyn Mineko Williams is a director, multi-disciplinary artist, and producer. Following a remarkable 17 year career as a dancer at River North Dance Company and Hubbard Street Dance Chicago, Chicago-native Robyn Mineko Williams shifted her focus to artistic creation and collaboration. As a dance maker, Robyn has choreographed commissions for Pacific Northwest Ballet, Royal New Zealand Ballet, Hubbard Street Dance Chicago, Malpaso Dance Company, Charlotte Ballet and others. She has created and coached movement for an array of projects including music videos, art installations, theater productions, film, and more. Named by Dance Magazine in 2014 as one of “25 to Watch” and “Best Choreographer” by Chicago Mag’s “Best of Chicago, 2016”, Robyn is a Princess Grace Foundation-USA grant recipient and has been recognized as one of NewCity’s Players: 50 People Who Really Perform for Chicago. Her work has been presented at Kennedy Center, Harris Theater for Music and Dance, Jacob’s Pillow, American Dance Festival, the Joyce Theater, MCA Chicago and more. As a director and producer, Robyn believes in the power of making performance art accessible to all. She founded Robyn Mineko Williams and Artists (RMW&A) in 2015, with a mission to partner with a variety of dynamic artists including musicians, filmmakers, fashion designers, sketch comedians, puppeteers and more, to make and share a body of independent, immersive and collaborative new works. Collaborations include projects with Manual Cinema, Califone, Ohmme, Verger, Kyle Vegter, the Second City, Mike Gibisser, Alicia Walter, Aitis Band and more. Through her work with RMW&A, Robyn uncovered her fascination with creating shows and happenings in unsuspecting places, public and private, reimagining the identity of the spaces and breathing new wonder into them with live art. She loves the element of surprise and the way the art itself gains new purpose and meaning from the different spaces and people engaging with it. Among her many spellbinding creations is Undercover Episodes, an on-going, site sensitive performance series, hailed as a “hidden gem” by the Chicago Tribune. Using a keen eye for composition and understanding of movement, Robyn continues to extend her voice as a director, making and translating work for film and live performance. Inspired by a lifelong, ever-evolving love of music, film, dance and pop culture, Robyn is excited to continue working and creating in the many lanes and intersections of art, culture and performance.

Stephanie Martinez

Over eleven years of award-winning works, Chicago-based choreographer Stephanie Martinez moves her audiences along a journey guided by the physicality of her movement and honest storytelling. With original creations for Joffrey Ballet, Ballet Hispanico, Luna Negra Dance Theater, Charlotte Ballet, Sacramento Ballet, Eugene Ballet, Nashville Ballet, Ballet Memphis, Kansas City Ballet, and National Choreographers Initiative among others, Martinez’s versatility expands the boundaries of contemporary ballet movement through her passion for marrying dance and theater as a means to construct intricate visual experiences. Martinez has created over 60 ballets on companies and collegiate programs across the country. In 2010, Martinez assisted Broadway legend Ann Reinking in setting the Fosse Trilogy, and in 2015 was awarded Joffrey Ballet’s “Winning Works: Choreographers of Color” commission and the Chicago 3Arts Award in recognition for her work as a female artist of color. More recently, Martinez was awarded an NEA grant for her premiere Bliss! at Joffrey Ballet. Designated “a chameleon” of choreography by the Chicago Tribune, Martinez’s psychologically revelatory works challenge the viewer’s notion of what’s possible.